Welcome to In the Sketchbook, a monthly look at fashion design sketches that we are working on for ourselves. Sketching garments on a personal croquis is a great way for the individual couture enthusiast to move beyond the use of commercial patterns and into a world of personalized design! It can be intimidating at first, but with a little bit of practice it becomes something you look forward to. Join us for a look of what we have going on In the Sketchbook! Brought to you by Wendy Grossman of Couture Counsellor and Steph King from Siouxzeegirl Designs.
Another month has flown by and it’s time to see what’s in the Sketchbook. I promise I’m sewing and I’ll have a finished garment ready to show and discuss with you next week. In fact, there should be three in rapid succession. Please bear with me a little longer.
To start off I’d like to show you a sketch I did first thing Monday morning after attending another fabulous hands-on workshop with Sarah Veblen over the weekend.
Sarah shared some inspiration pictures with us and when I was going over my class notes to solidify what I’d learned and compile a list of follow-up things I needed to do (a good habit I’m trying to cultivate), I found my copy of those pictures folded into my notebook. Looking at one of the pictures again, I immediately thought about making this casual tunic to wear with black pants.
Also during the workshop I happened to mention to Sarah that I’m struggling with sketching fullness at the hems of garments. She showed me her method step-by-step on a sticky note and I practiced it right away to get the hang of it.
Apart from sewing my business travel wardrobe this month, I have bias on the brain. Our ASG neighborhood group, Sew Chicago, has adopted “Show Your Bias” as the group challenge for next fall’s fashion show and Stephanie King and I are doing a bias presentation to the group in May.
Ever since I saw the exhibit “Making Mainbocher” at the Chicago History Museum, I’ve been thinking about how skilled Mainbocher was at giving serious work suits and even uniforms a feminine flair. None of his skirts were restrictive pencil skirts and most, if not all of them, were cut on the bias. One tweed suit in particular caught my eye. I noticed that he not only made the skirt on the bias, but he also inserted godets. I’m not convinced I need godets to get the effect I’m after, so I sketched this skirt to make with a lovely gray tweed wool I found last month at Haberman’s Fabrics in Royal Oak, Michigan.
Then I started wondering where else I could use bias and whether just part of a garment on the bias would work. So I played around with this skirt and top combination.
I think it looks better with the skirt echoing the hem of the top.
I tried this ensemble with a sheer on top, but the jury is still out on it.
That’s it for now. Be sure to check out what fabulous designs my dear friend Stephanie King of Siouxzeegirl Designs is showing at 10 Sewing Machines & a Serger. We’d love to see and hear about what you’re sketching, so please leave a comment.